Samantha Hanratty: Mind over Misty
Samantha Hanratty on Yellowjackets, Motherhood, and Pushing Herself to the Limits.
spring 2025
WORDS Gemmarosa Ryan
PHOTOGRAPHY Maksim Doraev
Being pregnant is far from easy. Now picture being pregnant on a high profile TV set. In the middle of the Canadian wilderness. For six months out of nine. Picture a pregnancy of great physical strain. Now picture having to tolerate bouts of morning sickness, fatigue, and dizzy spells while trying to inhabit the body and mind of a semi-psychopathic teenager. For the average person that scenario would appear in itself a scripted fantasy. For actress Samantha Hanratty, it was a stark reality.
It's certainly not the scenario Hanratty imagined herself in as an exuberant and ambitious eight-year-old with her heart set on the world inside her TV screen. Hanratty knew at age two she wanted to be an actress. It took a few years to convince her mother, but eventually she caved and mailed her daughter's picture to a Los Angeles casting agent from Arizona. Hanratty's million dollar smile turned a common pipedream into an actuality, and after a few commercials gigs, Hanratty claimed a place for herself in the very Disney dramas she had aspired to act in—iconoclastic Gen Z shows like "The Suite Life of Zach and Cody," "That's so Raven," and "Shake it Up."
While some people are skeptical of the ethics of child acting, Hanratty retained her bubbly, happy disposition as a child. Hanratty adored the process of auditioning and booking jobs. But when puberty came, bringing its inevitable challenges, Hanratty was forced to take a step back and reflect on her trajectory. At fourteen, she acted too old to play eight but still looked half her age.
"That was a tricky time in my career, and I had to ask myself: 'Is this what I really want to do for the rest of my life?' I'm glad I faced that question at that age because it made me love acting even more and want to work harder." After the reassessment, Hanratty pivoted out of the Disney and Nickelodeon circuit and began finding roles on indie sets.
At seventeen she booked the lead in a Lifetime film called "Zoe Gone," which confirmed Hanratty's intuition for a diverging path: "I loved playing somebody different, and I think that was the start of realizing I didn't have to be in a specific box—that I could do any of it and all of it." Not long after, she booked a role on "Shameless," and by the time the "Yellowjackets" audition came along, Hanratty had put enough distance between her and Disney to feel confident taking on the complexities of the role.In "Yellowjackets"—Showtime's breakthrough hit—Hanratty plays Misty Quigley, the equipment manager, social outcast, and resident sociopath of a New Jersey soccer team stranded in the wilderness after a plane-crash.
The first season of "Yellowjackets" was filmed at the height of the pandemic, over the course of six months, mimicking the protracted seclusion of the story itself, the actors a pod shielded from the outside world with restricted interactions even with members of the set itself. The intensity of restrictions combined with the lack of audience reception made the first season particularly hard. Enthusiasm faltered, and conviction wavered amongst many, but Hanratty had faith in the show's success after first reading the pilot. She took to bolstering enthusiasm in her fellow cast members—much like Misty with her teammates in the show's script.
SKIRT & TOP Dana Bandi, SHOES LeSilla, BRACELET Lilou, TIGHTS & GLOVES Stylist’s own
Misty's enthusiasm and team mentality comes from her prominent insecurities—a strong desire to feel liked, useful, and powerful. In the first season, Misty vies for these desires semi-successfully given she's the only team member with practical survival skills. Enjoying the limelight, Misty breaks the emergency transmitter, sabotaging their chances of rescue in an effort to retain her status, otherwise non-existent in polite society.
Participation in a makeshift play (Season 2, Episode 7) serves as a major touchstone for Misty's maturation. Hanratty identifies this as "one of her first moments recognizing she has a talent that could benefit her long-term—being able to fake emotion and act. She's the puppet master in many ways, and I think she sees herself that way. She has a hard time not getting recognition, but as the seasons progress, she's not needing that validation as much. She's just happy knowing what she's capable of."
In the last season, Misty's manipulative tendencies are counterbalanced with some more redemptive moments, like when she serves as Coach Scott's defense lawyer in a jury-rigged trial by fire. Or when it is revealed she's collaborated with Natalie, played by Sophie Thatcher, to set up a new signal on the emergency transmitter. Misty thinks, "'It's because of me.' She gets to enjoy this moment of 'I saved the day,'" Hanratty suggests before continuing: "As a viewer, I think, 'Okay, you were part of it,' but Misty takes it as 'This is all according to plan.'"
Inhabiting this space of moral ambiguity was a tall order, but one that Hanratty was able to take on intuitively, aided by the precisely rendered script, the similarities between her off-screen disposition and Misty's persona—their unapologetic nature, their goofiness, their insecurities—as well as conversations with Christina Ricci, who plays the older, present-day version of Misty.
Similar to Hanratty, who started acting at age six, Ricci started in the industry at age four. While the two don't have the same filming schedule, they do check in about specific details, like how Misty pronounces certain words or deviates into a particular sing-songy voice. Hanratty and Ricci also both looked to Cameron Britton in his rendition of Ed Kemper in Netflix's hit truecrime show "Mindhunter" for clues on how to oscillate between being terrifying and pitiful—capable of heinous actions, nevertheless wanting (and being denied) friendship.
"It's interesting because if you watched the show, you'd assume we've come up with so much together, but honestly, so much of it is happy coincidences. I think it truly comes down to the fact that we both know Misty so well. We have different versions of Misty, but she stays pretty consistent from who she was to who she is now. She's perfected her craft of manipulation, but she's stayed fairly consistent. Her unpredictability is what makes her consistent, which is funny," Hanratty tells me like she's a therapist spilling secrets after hours.
JACKET Taibo Bacar
TOP Isolda, SKIRT Paper Machine, SHOES Dr. Martens, BAG Onalja
TOP Jessie Da Silva, BRA Skarlett Blue, NECKLACES Coeur de Lion, Cloud Haven, BEARRINGS Mahrukh Akuly, BRACELETS Coeur de Lion, Hillberg & Berk, Capucine de Lion, Melinda Maria, BAG Milaner
Transforming into Misty's quintessential getup—knotted, blond, unruly curls with a blunt bang, nerdish circular glasses, and a layer of dirty sediment—takes about one hour in hair and makeup. "When I'm in my wig and Misty getup, I walk differently—it's not even intentional anymore," Hanratty discloses with a punchy laugh. "[Kevin Alves] will say, 'There's the Misty walk!' or 'There's the Misty run!' The Misty run is more effort than normal running—I go half the speed but give my upper body all my strength."
In a suddenly austere tone, Hanratty continues: "personally, when I'm in my Misty gear—hair and makeup—people tend to treat me differently. Christina and I have talked about this. People are a bit more dismissive and maybe not as kind when we're in our Misty gear. It's either a subconscious thing, or maybe I become more sensitive and others become more brazen. I feel very different when I'm in my Misty getup—it's like a social experiment."
Misty's gear, specifically the oversized equipment manager jacket, did more than just transform Hanratty. While filming season three, it also helped cover up her growing baby bump. In a TikTok posted to her account, Hanratty surprises her fellow castmates with news of her pregnancy. But the video, chipper in tone, does not illustrate the coming realities of set life. With a reflective air, Hanratty tells me "It was awful. I wish I could sugarcoat it, but I've been very open about it. I had this dream scenario in my head of what it would be like, and it was nothing like that. Everything that could have gone wrong did."
Hanratty was a month into her pregnancy when the show started filming and they wrapped six months later. While her son Levi was born healthy, the gestational period was rife with physical malaise. "It was really hard physically, and I'm definitely someone who likes to be a team player. It was difficult not being able to do things I once could. I couldn't be at every rehearsal because sometimes I was just too sick. I felt awful about that, but people reminded me that pregnancy falls under the Disabilities Act—it puts a lot on the body."
To help ease Hanratty's workload, production team set up a tent for her to get ample rest, and wardrobe layered on her clothing (easy to do given the last two episodes of the season happen in winter). For highly physical scenes that involved running, they employed a stunt-double easily given Misty had been scripted to wear a mask. "There was one scene where you could see mybelly," Hanratty tells me coyly, "which is great—my son will forever know he was part of 'Yellowjackets.'"
Our conversation comes to a close as Levi calls out to his mother, and Hanratty rightfully diverts her attention to her son. As a new mother, she's got her hands full, but tied, as she is, to Misty, she keeps her hopes high that "Yellowjackets" will be renewed for another season.
When it comes to both acting and motherhood, it's frequently a game of mind over matter—pushing yourself out of the way for another entity to take precedence. While both tasks are decisively challenging, it's mind over Misty, and while exhausting at times, Samantha Hanratty manages to do both with sustained jubilance and her quintessential toothy smile. ❤
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STORY CREDITS
WORDS Gemmarosa Ryan, PHOTOGRAPHY Maksim Doraev, STYLIST Veta Adrion, HAIR Clay Nielsen, MAKEUP Marla Vasquez, PRODUCER Gina Polverini, STYLIST ASSISTANT Kallie Collett
HERO IMAGE CREDITS
TOP Dana Bandi, NECKLACES Rommanel, Uniform Object, BRACELET Lilou, GLOVES Stylist’s own
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